Italian Movie Characters I’d Like To See In Spin-Offs


I’m way too curious about what happens these characters after the closing credits…


Suburra
Greta Scarano (Viola)

Viola from Suburra

We want to know what badass Viola (Greta Scarano) does next; don’t we? She’s either set up for victory or a heap of trouble, and we may get to find out when the Netflix movie becomes a Netflix TV series. 

 


Valeria (Barbora Bobulova) and Antonia (Anna Ferruzzo) are in somewhat of a pickle at the end of  Anime Nere (Black Souls), no doubt about it.  If their husbands had involved them more in the business, if the women hadn’t pretended not to know what was going on, would things have ended differently? And where do they go from here?


Rosabell Laurenti Sellers
Rosabell Laurenti Sellers (Benedetta) and Jacopo Olmo Antinori (Michele)

The kids aren’t alright in I Nostri Ragazzi (The Dinner) so what happens when they grow up?  Benedetta (Rosabell Laurenti Sellers) and Michele (Jacopo Olmo Antinori) had better wake up and smell the prison cappuccino.


GoldenDoor
Lucy Reed (Charlotte Gainsbourg)

After Nuovomondo (The Golden Door) does Lucy Reed (Charlotte Gainsbourg) become the perfect little lower east side housewife? I’d love to think so, but with her reputation… We need a Nuovomondo 2: The Mancusos in New York.


Mark/Hana (Alba Rohrwacher)
Mark/Hana (Alba Rohrwacher)

The girlie side of me hopes Hana (Alba Rohrwacher) gets a makeover and has a little fun with her feminine side after the cameras stop rolling in Vergine Giurata (Sworn Virgin).


Maria Massironi, Antonio, Catania, 2000. (c)First Look Pictures.

 

If Grazia (Marina Massironi) and Tino (Giuseppe Battiston) in Pane e Tulipani (Bread and Tulips) don’t live happily ever after I don’t want to know about it. But does Tino continue his detective work? I’d like to think so.